1953, United States), who offers an immersion in the raw materials at the heart of the crystal production process. ![]() The series concludes with the works of France-based artist Dominique Ghesquière (b. Alternating between photograms and sculptures in hevea and crystal, Thu-Van Tran’s installation explores the meanders of personal and collective memory, and the effects of distance and displacement. Thu-Van Tran (Vietnam, 1979), whose family settled in France in 1981, is marked by two cultural and geographic zones that are both distant and historically linked to one another. The second exhibition of the series, “Une place au soleil” (“ A Place in the Sun”) reveals an ensemble of poetically charged works. The tile of the exhibition, “Overlay”, is itself drawn from a technique used in the manufacture of crystal since the mid-19th century. The pair’s work integrates specially conceived crystal objects, and colours created by the addition of metal oxides to waste material originally destined for recycling or disposal. The first exhibition of the series, by artist duo Hippolyte Hentgen – Gaëlle Hippolyte (France, 1977) and Lina Hentgen (France, 1980) – imagines a panorama that reflects the scale of the site. ![]() Marie Cozette, the director of the Synagogue de Delme, has invited artists to discover the Cristallerie and to produce works infused with its atmosphere. Following partnerships with the Centre Pompidou-Metz and 49 Nord 6 Est – Frac Lorraine, the Synagogue de Delme is the third Lorrain cultural institution to create a series of exhibitions at La Grande Place, Musée du Cristal Saint-Louis.
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